I was kinda surprised to find an unopened X-Force #1 (Marvel, Aug. 1991) in the dollar comic bin, but I shouldn't have been- just recently I watched the History Channel's Comic Book Superheroes Unmasked (2003), and Stan Lee himself was talking about the great comic book crash of the 90's. A boom in the popularity due to Marvel's ever-expanding X-Men comics titles, title crossover events, video games, toys, and a Fox animated X-Men show got a lot of outsiders interested in comics. When these speculators tried to unload the extra copies & special editions that prosperous times had afforded, they found that no one was interested, so they quit buying. This left publishers who had been pumping out excessive runs with a glut of extra books- Marvel had to declare bankruptcy & scale back franchises drastically as a result, and a lot of independent comic shops went under. As Stan Lee said in the show, what made the old comics worth a lot was their rarity, and the speculators failed to see this. Consequently, there's a lot of 90's comics out there- hell, I found two of these poly-bagged :D
Back & front of the issue, showing Cannonball, Shatterstar, Warpath, Domino, Boom Boom, Feral, & Cable...
X-Force came out of New Mutants, part of the diversification capitalizing on popularity of the X-Men franchise, also including X-Factor, Excalibur, and the Wolverine solo series. I missed out on most all of this at the time, but I find a nostalgic charm in the over-the-top excesses of the 90's. Artist Rob Liefeld seems to have been roundly blessed & cursed for his work here, and for good reason- it looks like a very talented, very young person did the pencilling. I kinda like that about it. He was certainly unique, and his work must have looked very different from the accepted "comics style" when it came out. I read that writer Mark Millar defended incompared it to Jack Kirby- very unusual when it came out, & cartoony. It's ambitious & expressive in my eyes... it was what it was. Hostility toward the exaggerated style he contributed to, perhaps even created in the 90's, was partially a product of his extreme success & market saturation in my opinion. I won't dismiss Liefeld as an artist no matter how many hater fanboys don't like it- he was a huge success, the man is still working, and looking at his website I can see he's grown. He created Deadpool for goodness sakes! There are many points to be considered in subjective art appreciation, your personal issues shouldn't be one of them. That said, everyone is entitled to their own opinion, and there's no accounting for individual taste, including my own.
In this first issue, Cable and his X-Force fly to Antartica to take down the mutant terrorist group known as the Mutant Liberation Front, breaking into their base base and taking the guards by storm. Cable has turned the New Mutants into an elite tactical unit! The team is confronted by Forearm, Kamikaze, Wildside, and Reaper, upon pentrating their base, leading to a bloody confrontation, Shatterstar cutting off Reaper's hand, and Feral breaking Wildside's jaw. The M.L.F narrowly escapes through a teleport Zero opened, Stryfe having activated the base's self destruct sequence, which upon discovery, X-Force's scout craft teleports them aboard & away just in time. Check out this splashy, two-page spread....
Front and back of the Deadpool trading card included in this collector's edition:
I picked up the first five issues of this title a couple weeks ago, including a Spider-Man crossover issue involving Juggernaut which I enjoyed thoroughly. I grabbed more of what I could find in the dollar comic bin this weekend at BAM's Anniversary Sale, and a couple issues of Cable's solo title as well.
*Check out Rob Liefeld's website!
More Later- Make It FUN!
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